Draw a line. Write a line. There.
Stay in line, hold the line, a glance
between the lines is fine but don't
turn corners, cross, cut in, go over
or out, between two points of no
return's a line of flight, between
two points of view's a line of vision.
But a line of thought is rarely
straight, an open line's no party
line, however fine your point.
A line of fire communicates, but drop
your weapons and drop your line,
consider the shortest distance from x
to y, let x be me, let y be you.
Showing posts with label Modern Love. Show all posts
Showing posts with label Modern Love. Show all posts
Wednesday, March 28, 2012
Tuesday, January 4, 2011
The Way Things Work by Jorie Graham
The Way Things Work
is by admitting
or opening away.
This is the simplest form
of current: Blue
moving through blue;
blue through purple;
the objects of desire
opening upon themselves
without us; the objects of faith.
The way things work
is by solution,
resistance lessened or
increased and taken
advantage of.
The way things work
is that we finally believe
they are there,
common and able
to illustrate themselves.
Wheel, kinetic flow,
rising and falling water,
ingots, levers and keys,
I believe in you,
cylinder lock, pulley,
lifting tackle and
crane lift your small head--
I believe in you--
your head is the horizon to
my hand. I believe
forever in the hooks.
The way things work
is that eventually
something catches.
is by admitting
or opening away.
This is the simplest form
of current: Blue
moving through blue;
blue through purple;
the objects of desire
opening upon themselves
without us; the objects of faith.
The way things work
is by solution,
resistance lessened or
increased and taken
advantage of.
The way things work
is that we finally believe
they are there,
common and able
to illustrate themselves.
Wheel, kinetic flow,
rising and falling water,
ingots, levers and keys,
I believe in you,
cylinder lock, pulley,
lifting tackle and
crane lift your small head--
I believe in you--
your head is the horizon to
my hand. I believe
forever in the hooks.
The way things work
is that eventually
something catches.
Tuesday, December 14, 2010
Eulogy: Love is not a modulus sign
how will you measure love when it comes to town? you might like to weigh it up with coffee spoons, drinking each mouthful like water, like medicine, a spoonful of sugar. you might like to sit in a corner and mark the daylight that streams in through the window, mark how the sun moves across his face, his eyes. love is not a victory march. you cannot measure it by the number of flags won, you cannot measure it by the number of hearts lost. it cannot be measured by the decibels of sound, the number of chess moves made, the number of times peace has been made. love is not a war. it cannot be fought or won or lost. love is not a science experiment: there can be no trial runs and its hypotheses can never be tested. love is not a graph you can extrapolate forever from. love is not a maths question. there are neither correct nor wrong answers and it cannot be solved in three steps. there is no way to prove it and you cannot verify that one person will always satisfy the equation. there is no equation when 1 + 1 never equals 2.
but love is a great mathematician. love marks the area of a boy walking down clarke quay with you; the volume of his love is the amount of space he takes up. love is in the length of his fingers and the number of seconds his eyes take to trail down your legs. love knows the number of heartbeats you take when he walks past, love watches as your brain slows down and the rest of you goes into overdrive. love alone knows the length of the shadow he casts on your face while you sleep, love sees the width of that chasm that separates you from him. love remembers the number of steps you take away from him, and love knows that when one person is between two others, the hypotenuse of the triangle must always be √2 and hence an impossibility. love knows that the shortest distance from one person to another is not always a straight line, and that some people walk in circles only to find they have never moved from the same spot. and love knows that if you try to differentiate one from the other — there is no way you can integrate them back.
/from Supermango
but love is a great mathematician. love marks the area of a boy walking down clarke quay with you; the volume of his love is the amount of space he takes up. love is in the length of his fingers and the number of seconds his eyes take to trail down your legs. love knows the number of heartbeats you take when he walks past, love watches as your brain slows down and the rest of you goes into overdrive. love alone knows the length of the shadow he casts on your face while you sleep, love sees the width of that chasm that separates you from him. love remembers the number of steps you take away from him, and love knows that when one person is between two others, the hypotenuse of the triangle must always be √2 and hence an impossibility. love knows that the shortest distance from one person to another is not always a straight line, and that some people walk in circles only to find they have never moved from the same spot. and love knows that if you try to differentiate one from the other — there is no way you can integrate them back.
/from Supermango
Labels:
Loss,
Love,
Metaphor,
Modern Love,
Singapore,
Subversive,
Symbolism
Thursday, October 21, 2010
Text by Carol Ann Duffy
I tend the mobile now
like an injured bird.
We text, text, text
our significant words.
I re-read your first,
your second, your third.
look for your small xx,
feeling absurd.
The codes we send
arrive with a broken chord.
I try to picture your hands,
their image is blurred.
Nothing my thumbs press
will ever be heard.
like an injured bird.
We text, text, text
our significant words.
I re-read your first,
your second, your third.
look for your small xx,
feeling absurd.
The codes we send
arrive with a broken chord.
I try to picture your hands,
their image is blurred.
Nothing my thumbs press
will ever be heard.
Variations On The Word Sleep by Margaret Atwood
I would like to watch you sleeping,
which may not happen
I would like to watch you
sleeping. I would like to sleep
with you, to enter
your sleep as its smooth dark wave
slides over my head
and walk with you through that lucent
wavering forest of bluegreen leaves
with its watery sun & three moons
towards the cave where you must descend,
towards your worst fear
I would like to give you the silver
branch the small white flower, the one
word that will protect you
from the grief at the center
of your dream, from the grief
at the center. I would like to follow
you up the long stairway
again & become
the boat that would row you back
carefully, a flame
in two cupped hands
to where your body lies
beside me, and you enter
it as easily as breathing in
I would like to be the air
that inhabits you for a moment
only. I would like to be that unnoticed
& that necessary.
which may not happen
I would like to watch you
sleeping. I would like to sleep
with you, to enter
your sleep as its smooth dark wave
slides over my head
and walk with you through that lucent
wavering forest of bluegreen leaves
with its watery sun & three moons
towards the cave where you must descend,
towards your worst fear
I would like to give you the silver
branch the small white flower, the one
word that will protect you
from the grief at the center
of your dream, from the grief
at the center. I would like to follow
you up the long stairway
again & become
the boat that would row you back
carefully, a flame
in two cupped hands
to where your body lies
beside me, and you enter
it as easily as breathing in
I would like to be the air
that inhabits you for a moment
only. I would like to be that unnoticed
& that necessary.
Variations On The Word Love by Margaret Atwood
This is a word we use to plug
holes with. It’s the right size for those warm
blanks in speech, for those red heart-
shaped vacancies on the page that look nothing
like real hearts. Add lace
and you can sell
it. We insert it also in the one empty
space on the printed form
that comes with no instructions. There are whole
magazines with not much in them
but the word love, you can
rub it all over your body and you
can cook with it too. How do we know
it isn’t what goes on at the cool
debaucheries of slugs under damp
pieces of cardboard? As for the weed-
seedlings nosing their tough snouts up
among the lettuces, they shout it.
Love! Love! sing the soldiers, raising
their glittering knives in salute.
Then there’s the two
of us. This word
is far too short for us, it has only
four letters, too sparse
to fill those deep bare
vacuums between the stars
that press on us with their deafness.
It’s not love we don’t wish
to fall into, but that fear.
this word is not enough but it will
have to do. It’s a single
vowel in this metallic
silence, a mouth that says
O again and again in wonder
and pain, a breath, a finger
grip on a cliffside. You can
hold on or let go.
holes with. It’s the right size for those warm
blanks in speech, for those red heart-
shaped vacancies on the page that look nothing
like real hearts. Add lace
and you can sell
it. We insert it also in the one empty
space on the printed form
that comes with no instructions. There are whole
magazines with not much in them
but the word love, you can
rub it all over your body and you
can cook with it too. How do we know
it isn’t what goes on at the cool
debaucheries of slugs under damp
pieces of cardboard? As for the weed-
seedlings nosing their tough snouts up
among the lettuces, they shout it.
Love! Love! sing the soldiers, raising
their glittering knives in salute.
Then there’s the two
of us. This word
is far too short for us, it has only
four letters, too sparse
to fill those deep bare
vacuums between the stars
that press on us with their deafness.
It’s not love we don’t wish
to fall into, but that fear.
this word is not enough but it will
have to do. It’s a single
vowel in this metallic
silence, a mouth that says
O again and again in wonder
and pain, a breath, a finger
grip on a cliffside. You can
hold on or let go.
Valentine by Carol Ann Duffy
Not a red rose or a satin heart.
I give you an onion.
It is a moon wrapped in brown paper.
It promises light
like the careful undressing of love.
Here.
It will blind you with tears
like a lover.
It will make your reflection
a wobbling photo of grief.
I am trying to be truthful.
Not a cute card or kissogram.
I give you an onion.
Its fierce kiss will stay on your lips,
possessive and faithful
as we are,
for as long as we are.
Take it.
Its platinum loops shrink to a wedding ring,
if you like.
Lethal.
Its scent will cling to your fingers,
cling to your knife.
I give you an onion.
It is a moon wrapped in brown paper.
It promises light
like the careful undressing of love.
Here.
It will blind you with tears
like a lover.
It will make your reflection
a wobbling photo of grief.
I am trying to be truthful.
Not a cute card or kissogram.
I give you an onion.
Its fierce kiss will stay on your lips,
possessive and faithful
as we are,
for as long as we are.
Take it.
Its platinum loops shrink to a wedding ring,
if you like.
Lethal.
Its scent will cling to your fingers,
cling to your knife.
Labels:
Imagery,
Love,
Metaphor,
Modern Love,
Sec 3,
Sec 4,
Subversive,
Symbolism
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